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Willkommen in der neuen Dimension

Vibrant Southeast-Asia


Vibrant impressions from Southeast-Asia 2013.
This slideshow including some video snippets shows you enchanting moments of a trip through Singapore, Thailand (Bangkok), Cambodia (Sihanoukville), Vietnam (Saigon/Ho-Chi-Minh-City, Nha Trang, Da Nang, Hoi An, Halong Bay) and Hong Kong. Enjoy!

Best viewed in fullscreen-mode. In the video snippets, please activate the little "HD" symbol on the bottom bar of the player. Alternatively you may open this show in a seperate window.

Camera: Sony NEX-7; lenses: Sony 10-18mm F4 OSS, Zeiss 24mm F1.8, SLR Magic CINE 35mm T0.95, Sony 50mm F1.8

Thanks for watching!

 

Rumored Leica M 3D spotted in Hamburg


Hamburg, 01. April 2013 - Today we are proud to present a first snapshot of the rumored Leica M 3D prototype spotted in Hamburg.

After the successful launch of the new Leica M (type 240) many people asked what Leica will present as next model on their roadmap. After some rumors that Leica will focus more on stereoscopic photography in the future for an even more "3D pop" in the pictures taken with their gear, we spotted a first prototype already in February in Hamburg, Germany and had a chance to take a sample shot:


(red/cyan filter glasses required to see the spatial 3D effect)

I was told that Leica will provide also rubber bands fitted for pairs of 35mm and 50mm Summilux lenses allowing to transfer the focus setting from one lens to the other. Unfortunately the current prototype can not carry a pair of Noctilix 50/0.95 ASPH. The final version may also provide the option to attach two EVF (at the moment you have to switch the preview between left and right sensor).

We will try to get another hands-on session soon, so stay tuned!

P.S.: You propably know that you should not believe in all that is posted on the internet - especially on 1st of April...? ;)

All images copyright by 3D-Kraft.com.

 

Adorable 35s - Big 35mm Speed Lens Comparison (Leica, SLR Magic, Mitakon, Canon + Speed Booster, Samyang)


March 2013 - Back in February I had another opportunity in Hong Kong to compare quite a unique collection of superfast 35mm prime lenses that - attached to a NEX-7 - provide you an equivalent angle of view to a classical 50mm lens on full frame. Three of them start at an amazing aperture of about f/0.95 that compares in terms of depth of field (DOF) to 50mm f/1.4 on a fullframe sensor.

One of the candidates, the SLR Magic HyperPrime CINE 35mm T0.95 was compared already in December 2012 to a Voigtländer Nokton 35mm f/1.2 ASPH (version I) and an AF-S Nikkor 50mm f/1.4 G on full frame (the  Nikon D800E) (here, in memory), thus triggering a discussion about onion rings ...

The shootout candidates (ordered by transmission / aperture):

  • SLR Magic HyperPrime CINE 35mm T0.95
    The final production version used in this comparison will start shipping in about May 2013 for an introductory price of US$ 1249. It is a very solid (about 800g) construction with 12 lens elements, circular aperture blades and an extractable lens hood. The aperture ring operates clickless and is calibrated in T-stops (a transmission of T0.95 usually requires an aperture of about f/0.9 to f/0.92) and has the same cogging like the focus ring to support video applications (follow focus) as well. It is shipped with M-mount and an adapter to E-/X-/EF-M-Mount depending on your order. It covers APS-H sensor size but with its large rear element (diameter 36mm) it does not fit into the throat of current Leica-M cameras or Ricohs GXR module. For more details please see this article.
  • Mitakon 35mm f/0.95
    This lens is a very solid construction as well with 10 lens elements and a 10 blades aperture. It has good haptics, weighs about 680g and comes with E-mount. Prices I have seen so far varied between 700 (eBay auction) and 1000 US$ (private auction). The lens is manufactured in China and until now I did not see a dealer that offers it with warranty.
  • Canon EF 50mm f/1.4 lens + Metabones Speed Booster (converting to a 35mm f/1.0 lens)
    This combination of a 50mm f/1.4 full frame lens and a focal converter provides you a lens with 35mm focal length and an aperture of f/1.0 still covering the size of an APS-C sensor. To understand that functional principle please see Metabone's white paper. The adapter is designed to transmit /convert also the electrical signals to the lens in order to control aperture setting and autofocus (on selected lenses) by the camera. The Canon EF 50/1.4 lens is about 400 US$, the adapter costs about 600 US$ when ordered in Hong Kong.
  • Leica Summilux-M 35mm f/1.4 ASPH
    This lens is designed with 9 elements, one with aspherical surface and 9 aperture blades. It is very compact and weighs only about 320g. Some people say it is still the "35mm/1.4 reference". Prices are about 5000 US$ (new and about 4500 US$ used).
  • Samyang 35mm f/1.4 AS UMC
    This lens is designed for fullframe DSLRs and constructed with 12 lens elements (some aspherical) in 10 groups and an aperture with 8 blades. It weighs about 712g. It is availabe with different mounts and has an attractive price of about 500 US$.
  • Leica Summicron-M 35mm f/2.0 ASPH
    This even more compact desgined lens is propably the smallest 35mm f/2.0 fullframe lens avaiilable today. It is designed with 7 elements (one aspherical surface), has an 8-bladed diaphragm and weighs 254g. Price is about 3200 US$.


In this article we will cover

- overall comparison
- center-sharpness of the f/0.95 and f/1.4 candidates at open aperture and F1.4 as well as edge sharpness (of the 0.95 candidates)
- bokeh (rendering of the out-of-focus areas and the shape of the circles of confusion of highlights) at F0.95, F1.4 and F2.0
- conclusion
- further sample shots

Acting as a good subject for real world photos, we met Bertille Tabourot, who is a stylist and fashion designer from Paris, living currently in Hong Kong. She used this opportunity to present some of her fancy creations acting as a freelance model.

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Adorable 25s - 25mm F0.95 Speed Lens Comparison on Lumix GH3


28 Feb. 2013 - Last week was one of the highlights of my trip through Southeast Asia as I had the chance and pleasure to compare the upcoming SLR Magic HyperPrime CINE 25mm T0.95 to three other highly adorable, wide open 25mm F0.95 lenses. Let us see how they perform on the latest mFT camera, the Lumix GH3!

This little shootout was more a kind of spontaneous incident as we had some daylight remaining at the end of an "Adorable 35s" session planned for that day in Hong Kong with Andrew Chan and some friends. Andrew is the driving force of SLR Magic and very passionate about great lenses - not only those he builds by himself. But let me state that I am not affiliated with SLR Magic and payed for all lenses I got from them. We got some kind support from Bertille Tabourot, who is a stylist and fashion designer from France, living currently in Hong Kong. For this comparison shooting she took the chance to present one of her fancy creations acting as a freelance model.

But now let's talk about the principal performers of this shootout ordered by "age":

  • P. Angenieux Paris 25mm Type M1 f/0.95
    This very compact and beautyful lens was developed in 1953 and at that time the fastest 25mm design. One of the early copies was used by NASA to take the first photographs of the moon from a lunar probe. It is said to have a very cinematic look, a nice bokeh when used wide open and sharp look when stopped down. It is quite hard to find and prices may be around 1500 US$ when in good condition.
  • Schneider-Kreuznach Xenon 25mm F/0.95
    Schneider Xenon designs have their origin already in 1925 when Tronnier derived it as an asymmetrical derivative of the classical double-Gauss design. The Xenon 25mm f/0.95 became available in the 1960s. The particular copy used in this test was manufactured in late 1978 or 1979 and was equipped with a built-in center spot ND filter that could be ordered for special applications. Current versions do not have that filter and look a bit different, see here. Used prices will vary between 800 and 1500 US$ depending on condition and type.
  • Voigtländer Nokton 25mm f/0.95
    This lens was developed by Cosina Voigtlander and became available for the MicroFourThirds mount in 2010. It is known to be already pretty sharp wide open with increased sharpness when stopped down to F1.4 to F2.0. Price is about 1200 US$.
  • SLR Magic HyperPrime CINE 25mm T0.95
    Production version will become likely available in April 2013 and will start at a price of 799 US$. It has cinema lens gears and aperture keeps round even when stopped down. In this comparison we used a pre-production (step 2) sample. For a rating of sharpness and bokeh please see my conclusion at the end of this article.

Overall Picture Comparison (F0.95 / T0.95)

The following pictures were all shot from the same postion between 6:19 and 6:27 p.m. on a cloudy day already after sunset in order to get a nice light mood with some point shaped highlights in the background. To avoid motion blur, exposure times were kept at 1/125s which results in ISO settings already between 400 and 1000 (due to differences in transmission/vignetting and sligthly dimming light) and of course we used a tripod.

Let us start with the Angenieux 25/0.95 at open aperture:

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"Maskenzauber" - Venetian Carnival and Maskenball 2013 in Hamburg

Hamburg is not only known as a town with more bridges than Venice, it also celebrates a Venetian carnival since 12 years now. It's an enchanting event for every visitor and a "must see" for every photographer.

This time I decided to catch the magic moments with a SLR Magic HyperPrime CINE 35mm T0.95 mounted to a Sony NEX7 to get that perfect melange of sharpness and bokeh in order to keep that mood of light and poetic noblesse. But pictures speak louder than words...

(Switching to fullscreen mode (rightmost button on the bottom icon bar) is highly recommended)

In order to be able to see the single images (also in full resolution), please follow the link to my Flickr-Album: http://www.flickr.com/photos/hhackbarth/sets/72157632617122420/

A Venetian ballroom night was celebrated at the enchanting "Lola Rogge Schule" in even more fascinating historical costumes:

Finally there was also a chance to take some impressive 3D-shots:



You find an album with the 3D images here: http://www.flickr.com/photos/hhackbarth/sets/72157632646619067/

Please use red/cyan filterglasses to see the 3D effect. You can download the stereoscopic 3D images in MPO-format for your 3D device here:

MPO-File #1
MPO-File #2

All images copyright by 3D-Kraft.com.


 

Conquering The Darkness - SLR Magic HyperPrime CINE 35mm T0.95 Comparison


Right on time for Xmas, the latest masterpiece from SLR Magic - the HyperPrime CINE 35mm T0.95 - arrived here in Germany. If you have seen my article about the first prototype that was presented in September on the "Photokina 2012" exhibition in Cologne, you can imagine my enthusiasm, when the box was delivered by the postman. Here we compare that exceptional piece of glass & metal to a 50mm F1.4 lens on a fullframe camera (Nikon D800E) and to a Voigtlander Nokton 35mm F1.2 ASPH (version I), that was - up to now - the fastest 35mm lens that you could get with Leica M mount.

First let us take a look at the lens and its box. After some discussion about the packaging of its "big brother", the HyperPrime CINE 50mm T0.95 (see my review here), SLR Magic created a high quality box for that lens and wrapped it for shipment into another shock absorbing foam box, that makes already the unboxing a nice experience:



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Sony 10-18mm F4 OSS - Eagerly Awaited Wideness


After NEX users had to go for such a long time without a good ultra wide angle, now Sony is on target with its new E 10-18mm F4 OSS (SEL1018). We were very curious to see how it performs especially on the NEX-7, which is very challenging as many short focal lengths adapted from Leica M mount produced strong color shifts.

The zoom lens starts at a viewing angle of 109° comparable to a 15mm UWA lens on a fullframe camera allowing dramatic perspectives for close ups as well as for architecture and landscape photography. The lens is constructed with 10 elements (some with ED glass) in 8 groups, has 7 circular aperture blades, provides a fast autofocus and optical stabilization supporting shooting at low light and video. It weighs only 225g and comes with a seperate lens shade.


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Almost Perfection - 1st Test of a SLR Magic HyperPrime CINE 35mm T0.95 prototype


UPDATE: Meanwhile I received an "almost" production version (optically final, mechanically nearly final) with a significantly better lens coating. Please find the latest review here.



You love to shoot at available light with a wide open aperture, razor sharp details and smooth & creamy bokeh? You like shooting "half" portraits at the classical viewing angle of a 50mm full frame equivalent but you prefer using a mirrorless camera with an APS-C or Micro FourThirds sized sensor? If you say 'yes' and 'yes', then SLR Magic may have a lens making you even more addicted and enthusiastic with their upcoming HyperPrime CINE 35mm T0.95. It is pushing the 35mm limit to a new level.


Before we go into detail, let me state that I am not affiliated with SLR Magic. I am just a fan of fast & bright prime lenses and you will see and read my pure personal impressions here. After the launch of their spectacular HyperPrime CINE 50mm T0.95 (see my review here), this small company located in Hong Kong decided to create another lens with a similar design and now they presented their first two prototypes on the "Photokina 2012" exhibition in Cologne, Germany. Andrew Chan, the product manager was so kind to give me the chance to test-drive it a little bit on a Sony NEX-7 beside their other new creations, the CINE 35mm T1.4 and the HyperPrime CINE 23mm T1.7. As SLR Magic is adressing filmmakers as well, these lenses continue the tradition of a stepless aperture ring calibrated in T-stops. Andrew explained, that beside the 35mm T0.95 using a complex 12 element design with extraordinary quality lens elements (some of them are produced by Schott, Germany), they decided to build also a bugdet 35mm T1.4 lens to be availably for a very reasonable price. You can see a short review of the 35mm T1.4 and the 23mm T1.7 here as well.

So what means T0.95? The aperture is calibrated in T-stops as film makers must make sure that the light transmission keeps continous when changing lenses at the same T-stop whereas F-stops only describe the calculated ratio of focal length and how wide the lens can open. Due to vignetting and other properties of the lens design, a T-stop of 0.95 typically requires a F-stop of about 0.9 at open aperture which makes it the fastest 35mm lens currently available for APS-C sized sensors. This is possible due to an extremely large rear lens element with a diameter of about 36mm. Due to that large rear element, the lens - although manucatured with an M-mount, will not fit on a Leica M or a Ricoh GXR with M module. But using an M-mount to E-mount/X-mount/m43-mount adapter, it can be used on most APS-C and microFourThirs mirrorless cameras like Sony NEX, Fuji X, Olympus PEN, OM-D and Panasonic Lumix G. It may not fit into every M-adapter but the Novoflex M-to-NEX adapter as well as SLR Magic's M-to-NEX adapter (including a macro function) had no problem to accept that sample. The following picture shows the prototype and it's affinity to the HyperPrime CINE 50mm T0.95:



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